Lodes Of Modes
I’m on holiday with the family in a cottage in Sherringham Park, Norfolk. Nobody lives anywhere nearby so I can practice at anytime and most of what I’ve done so far has been outside.
I’ve brought Kenny’s Benge pocket trumpet with me and I’m doing irregular bursts of modes and jazz-chord arpeggios from an exercise I’ve written called “Lodes of Modes”. See below.
I’ve also had the odd stab at repeat tonguing in the high register – something I find rather difficult. So, I’m not really being very systematic but then this is a holiday. I guess what I’m doing adds up to about 90 minutes or so each day.
The little Benge is perfect for a holiday practice trumpet. It takes up almost no space – it even fits inside my regular horn case, next to my horn, and, most importantly, it’s a serious piece of gear – an excellent instrument by any standards.
With a cup mute in it’s nice and quiet so it doesn’t disturb the kids trying to get to sleep.
Here’s “Lodes Of Modes”:
This evening, I’ve just discovered a good way forward. I sat down with Aebersold’s Turnarounds book and CD (volume 16) and tackled the progressions for what are called “Turnarounds No 3”. It’s basically this progression: DM,F7, BbM,Eb7 repeated three times followed by a variety of unsubtle modulations into another key – and through all the keys.
I started off by playing along with the CD but soon realised I was just deepening previous grooves I had made rather than finding new pathways. I turned off the playalong and started to play just the chord notes of each chord symbol. Difficult! Ken Bartells was right – I must learn to know what notes I am playing and learn play ones I choose rather than playing exclusively by ear.