Specific finger exercises
But where has this urge to learn jazz come from? I think it’s been there, just below the surface, for a very long time. It’s come to the surface now partly because it’s now or never – I’m 43. I have a slight sense of urgency and a feeling that at last I’m doing something I’ve been wanting to do for a very long time.
It’s also a fascinating learning process and to a large extent it’s uncharted territory for someone like me, already possessing a certain amount of technique from a parallel discipline but not the language itself.
Another aspect of this is that I’m finding the study extremely satisfying, musically. The way I’m practicing the cornet is completely different from any way I’ve ever practiced the horn. Yesterday, for example, I spent part of the evening going through all the modes in all keys, first saying the name (i.e. Db Mixolydian) then trying to play them by ear but also picturing the geography, as if written down, so that I’m aware of which notes I’m playing, this being the hardest part because I’m not used to holding the visual map in my mind while playing.
I’ve noticed a fingering difficulty emerging: during the modes practice it happened quite a lot that when going from 2+3 to 1 the 2nd finger would come up slightly later that the 3rd making quite a messy transition. I need to isolate this problem and work out some specific finger exercises to clear problem. I wonder why I find this compelling – exciting even.