Tounguing difference between horn and trumpet
I’m trying to get a bit of practice in every day.
More books and playalongs have arrived, so there’s no shortage of stuff to work on. The trumpet and the flugel are hanging up next to the piano, and the cornet (and mute) are upstairs next to the bed. Most of the playalongs and tons of other jazz recordings are on minidisc so I’ve always got stuff to listen to or play-along with. Also, my Revo has an ever increasing selection of “Grigson” grids to study.
It’s going quite well, although I detect a certain reluctance to get stuck into any standards. I’m not sure quite why this is but I’m hoping that Kenny might help me work this out when I go to see him this afternoon. He’s reluctantly agreed to see me for some kind of “lesson” although it’s clear he really doesn’t want to be a “teacher”.
I think what I should do is ask him to help me work on Stella – I think I have a bit of a foothold in that one.
What I really need is a tame pianist to help me work on some tunes. I’m going to phone Julian Jacobson (a very good pianist, who dabbles in jazz) in a few weeks, when he’s back from some cruise or other, and I’m hoping we can work up some tunes together.
The “LoadsOfModes” is working well. I think I’ll know them all in a couple of weeks and then I’ll just have to start speeding them up.
I’ve noticed something important. There is a tonguing difference between the horn and the trumpet. It’s a larger mass of air inside the horn so starting it and stopping it takes a bit more clout and steadier air pressure. This is the dreaded “support” but I hate the term it means totally different things to different people. I don’t think the trumpet needs any less of it than the horn but the tongue has to be used in quite a different way. I’m hoping that I’ll be able to switch tonguing styles as I switch instruments – rather like people who play both violin and viola have to learn to switch gears as move from one to the other.