I’ve had another amazing lesson with Martin Shaw.
We spent quite a long time looking into what we have agreed to call “Ghost” tonguing. Having done a bit of work on it since the last lesson and got somewhere (though by no means anywhere near it yet) it’s now got a little clearer exactly what I have to do. So now I have an exercise I will put into my work-out to teach my tongue to jump in and out of that precise position on my upper incisors which damps the sound. It’s a great effect and I’m chasing after it seriously.
The second half of the lesson was spent trying to find a way of using the ghost tonguing in context. Martin wrote out a couple of little riffs for me, which would work over a 2-5-1 sequence and which contain obvious places to do the ghost notes.
We talked quite a lot about how dificult it is for me actually to hear some of the things that Martin does (he does play really beautifully) well enough to even try to copy him. He worked through a variety of ways of slowing it down, with me listening and copying, but not getting anywhere near it. Mine always sounded clumsy and awkward – his always fresh and alive and perfect.
I think next time I’ll have to bring the minidisc recorder so I can better analyzing exactly what’s going on. I need to do this not just with the ghost notes but with many other aspects of style.
My articulation still needs to be blunter, firmer and more immediate at the front of the notes. I still sound too much like a horn player – shaping everything. Despite this being quite a profound change in style, I’m completely confident it won’t mess up my horn playing , as it seems to me that people who learn to speak French don’t lose their Engish accent in the process. I’m sure it’s exactly the same thing. The parallel with learning a foreign language is very clear to me
Martin also said I need to listen to tons of Clifford Brown. Fantastic! I’ll try to learn some more of his solos.
- Continue the chromatic runs and practise ghost tonguing as workout exercises.
- Practise the riffs Martin gave me.
- Study “Confirmation” by Charlie Parker – from the copy Martin lent me with articulations and other useful pencil marks added.
- Get hold of David Baker’s book on Clifford Brown in the Giants Of Jazz series.
- Get hold of the Charlie Parker Onmibus.
- Tongue firmer all the time.
- Listen to Clifford Brown. Listen to Clifford Brown. Listen to Clifford Brown. Listen to Clifford Brown. Listen to Clifford Brown.