On May 20th there’s a concert at St. James’ Church, Piccadilly, London.
It’s a live performance, or interpretation, of the album, “Kind of Blue” by Miles Davis. I think it’s going to be a sextet, but what I DO know is that I’m going to be the one playing the trumpet and thus, to some extent, trying to “be” Miles Davis.
This is, of course, an impossible task but aside from the difficulty of doing it well the principal thing that needs sorting out is how the band should approach a performance of this legendary recording.
The choices are, either to try to reproduce the original as near perfectly as possible OR to perform the concert as an “interpretation”, in a similar manner to an orchestra+conductor performing, say, yet another Brahms third symphony. Brahms wrote his symphonies on paper whereas Miles Davis and the rest of that amazing sextet “wrote” theirs directly onto magnetic tape. There seems to be no point in attempting to play a perfect replica of “Kind Of Blue” as it is, itself, already a reproduction – and it would take years of rehearsals and ultimately would serve no purpose. Rather than that it would be better simply to fix up a big hifi system in the hall and play the CD to the audience! So, the only sensible option is for us to perform some kind of interpretation …for want of a less lofty word.
Actually, we’ve done this show once before, a few years ago, and in the same venue in Piccadilly. I kept very quiet about it, only inviting one close friend of mine who I knew wouldn’t be critical of it, and of me, however badly I played! The hall was less than half full and we were pretty badly under-rehearsed. In fact, the performance itself was the first time we’d ever met the drummer! Also, nobody used a mic – and I really needed one because it’s very hard to get a decent Miles Davis harmon-mute sound without a mic poked right into the mute!
This time around I feel a bit different about it and, as you can see, I’m going public. Most of us will have microphones, we’ll be better rehearsed, I’ll be more confident and I hope we can fill the hall this time.
So, these days I’m trying to learn Miles’ solo from Love For Sale. I’m trying to learn it exactly, with every nuance of articulation, decoration, rhythmic idiosyncrasy, pitch bend – everything. I’m spending hours at it every day. It’s not even guaranteed that we’ll play this track when it comes to the show (it’s not on the original version of the album – only later, extended ones. It was originally on the album, “Circle In The Round”) but I absolutely love it and it’s packed full of useful little Miles “signatures” which I hope will infect my playing and come out in my improvisations. That’s the plan, anyway. I feel the need for some sort of a plan, however flimsy…